By David Bradshaw(eds.)
Taking an cutting edge and multi-disciplinary method of literature from 1947 to the current day, this Concise better half is an crucial consultant for someone looking an authoritative realizing of the highbrow contexts of Postcolonial literature and tradition.
- An quintessential advisor for somebody looking an authoritative figuring out of the highbrow contexts of Postcolonialism, bringing jointly 10 unique essays from major overseas students together with C. L. Innes and Susan Bassnett
- Explains the tips and practises that emerged from the dismantling of eu empires
- Explores the ways that those rules and practices encouraged the period's keynote matters, resembling race, tradition, and id; literary and cultural translations; and the politics of resistance
- Chapters hide the fields of identification stories, orality and literacy, nationalisms, feminism, anthropology and cultural feedback, the politics of rewriting, new geographies, publishing and advertising and marketing, translation stories.
- Features an invaluable Chronology of the interval, thorough basic bibliography, and courses to additional examining
Chapter 1 Framing Identities (pages 9–28): David Richards
Chapter 2 Orality and Literacy (pages 29–55): G. N. Devy and Duncan Brown
Chapter three The Politics of Rewriting (pages 56–77): C. L. Innes
Chapter four Postcolonial Translations (pages 78–96): Susan Bassnett
Chapter five country and Nationalisms (pages 97–119): John McLeod
Chapter 6 Feminism and Womanism (pages 120–140): Nana Wilson?Tagoe
Chapter 7 Cartographies and Visualization (pages 141–161): David Howard
Chapter eight Marginality: Representations of Subalternity, Aboriginality and Race (pages 162–181): Stephen Morton
Chapter nine Anthropology and Postcolonialism (pages 182–203): Will Rea
Chapter 10 Publishing Histories (pages 204–228): Gail Low
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Extra resources for A Concise Companion to Postcolonial Literature
Bhakti poetry was oral in practice but of remarkable aesthetic sophistication and philosophic maturity. Besides, it was this poetry that, as all great literature does, brought about social integration. It cut across the barriers of caste, religion, gender and age. And, finally, it performed the valuable task of bringing the heritage of classical Indian culture to modern India. The use of paper for writing had become common practice during the seventeenth century. And the poets, chroniclers, and storytellers felt encouraged to write their works in decorated books because they could then get royal patronage.
Garo Literature. New Delhi: Sahitya Akademi. Mishra, Mahendra Kumar (2002). Saora Folktales and Songs. New Delhi: Sahitya Akademi. Prasad, K. Keshavan (2002) . Male Mahadeshwar: A Kannada Folk Epic. N. N. Bhat. New Delhi: Sahitya Akademi. 39 Orality and Literacy Part 2: South Africa Duncan Brown Oral literature and performance genres have been crucial in mediating many of the central aspects of human thought, interaction, belief and record in South Africa, both historically and in the present.
Viewed in this way, Spivak’s next step seems wholly logical: to inquire into and to recover from history and literature those excluded voices of the marginalized or, in the term used by the Marxist intellectual, Antonio Gramsci, the ‘subaltern’. The Subaltern Studies Collective or Group (SSG), which Spivak is most closely associated with, comprises a number of South Asian intellectuals and academics (most notably Ranajit Guha) concerned with the rewriting of the history of India, not as the traditional narrative of elites engaged in a heroic struggle with the British empire, but as small-scale local insurrections (often failing) enacted by groups and individuals – workers, peasants, women – ignored or ‘written out’ of the historical grand narrative.