By Gordon E. Slethaug
Beautiful Chaos is the 1st ebook to envision modern American fiction in the course of the lens of chaos conception. The e-book makes a speciality of contemporary works of fiction through John Barth, Michael Crichton, Don DeLillo, Michael Dorris, Cormac McCarthy, Toni Morrison, Thomas Pynchon, Carol Shields, and Robert Stone, all of whom comprise points of chaos idea in a single or extra in their novels. They accomplish this via their disruption of traditional linear narrative varieties and their use of strategic tropes of chaos and order, yet also--and extra considerably for an knowing of the interplay of technology and fiction--through their self-conscious embody of the present rhetoric of chaos conception.
Since the e-book of James Gleick's Chaos: creating a New technological know-how in 1987, chaos thought has been taken up through a wide selection of literary critics and different students of the humanities. whereas contemplating the connection among chaos idea and up to date American fiction, attractive Chaos information simple assumptions approximately orderly and dynamic platforms and a number of the manifestations of chaos thought in literature, together with mimesis, metaphor, version, and metachaotics. It additionally explains specific positive aspects of orderly and dynamic platforms, together with entropy, bifurcation and turbulence, noise and knowledge, scaling and fractals, generation, and weird attractors.
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Extra info for Beautiful Chaos: Chaos Theory and Metachaotics in Recent American Fiction
This view is reiterated in different form by the Duena after John Grady’s release from a Mexican prison, when she remarks that “human decisions [are connected to, but] more and more remote from their consequences” (230). When John Grady is thrown into prison in Mexico, is it the result of causes in Texas, or his acquiescing to Alejandra’s overture on the Mexican ranch? It might be any one of these more or less personal and seemingly insignificant causes or the cumulative effect of all of them. What is at work is a typical butterfly effect, in which a minor incident precipitates uncontrollable turbulence and results in large-scale catastrophe.
Chaotic processes are random and statistical in nature and, even if they culminate in the hidden order of strange attractors, that still has nothing to do with the fulgurating notion of destiny, the absence of which is cruelly felt. (113) For Baudrillard, chaos theory positions itself on a void, and literary “simulation” only models illusions, images, and discursive signs lacking a selfcritiquing quality. Arguably, then, “simulative fiction” about complexity does not present models of life as life itself, but life as previously modelled in systems and fiction.
The evocative title of this book, drawn from the traditional nursery song “All the Pretty Little Horses,” highlights the complementarity of complex multiple systems and recursions which this book considers. Some of these complementarities are decidedly ironic and others are used in a straightforward way. Certainly the title of the nursery lyric coupled with the account of the main character is ironic. Given its associations, the title of the nursery rhyme at once implies the desire for, and refusal of, fulfillment.