By Raphaël Nowak
This booklet addresses the problem of track intake within the electronic period of applied sciences. It explores how members use track within the context in their daily lives and the way, in go back, tune acquires yes roles inside daily contexts and extra largely of their existence narratives.
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Extra resources for Consuming Music in the Digital Age: Technologies, Roles and Everyday Life
The affordances of digital music files, of a CD or of a vinyl disc delineate the contextual possibilities within which individuals can consume music. Once this principle is put into action, music technologies are associated with particular uses and subsequent meanings. As I demonstrate below, these utilitarian, aesthetic, and symbolic meanings are not mutually exclusive and can be assigned to any music technology used within modes of consumption. A digital file can have an aesthetic meaning while a vinyl disc can be utilitarian.
Thus, ‘everyday life’ often becomes synonymous with mundane, micro and reflexive practices. However, I intend to theorize the concept as the site to ground contemporary modes of music consumption where the structural position and reflexivity of individuals meet and mediate one another. Indeed, besides the relationship that individuals develop with the music technologies at their disposal within modes of consumption, their practices take place within particular everyday contexts that are defined by systemic and structural processes to which they respond.
Robert’s modalities of music consumption enact his repertoire of preferences. The different options at his disposal certainly enable him to browse through music and experiment with music content that he would not pay for. Downloading music for free gives Robert an entry point to content he would otherwise not pay attention to. As such, his uses of various technologies represent a gradual access to music in accordance with his preferences (see Nowak, 2014b). The core of his music preference constitutes an economic investment worth making.