Download Contact Improvisation: Moving, Dancing, Interaction : With by Thomas Kaltenbrunner PDF

By Thomas Kaltenbrunner

content material: I. idea. what's touch improvisation? --
touch improvisation buildings --
the fundamentals of circulation. II. perform. studying touch improvisation: inquisitiveness and self-discovery --
routines and techniques --
instructing touch improvisation --
components of program for touch improvisation --

Show description

Read or Download Contact Improvisation: Moving, Dancing, Interaction : With an Introduction to New Dance PDF

Similar dance books

European Dance: Ireland, Poland & Spain (World of Dance)

Introduces the background, tools of training, ceremonial types, simple steps, and recognized figures of conventional Irish, Polish, and Spanish dance.

In Strangers' Arms: The Magic of the Tango

The tango is well the main iconic dance of the final century, its pictures as normal as an previous good friend. yet are they the full tale? Peeling again the poster propaganda that has continually characterised the tango publicly, this intimate learn indicates the invisible center of the dance and the tradition that raised it.

Dance Dramaturgy: Modes of Agency, Awareness and Engagement

Ten foreign dramaturg-scholars strengthen proposals that reset notions of service provider in modern dance construction. Dramaturgy turns into pushed through inventive inquiry, disbursed between taking part artists, embedded in improvisation initiatives, or weaved via viewers engagement, and the dramaturg turns into a facilitator of dramaturgical understanding.

Extra info for Contact Improvisation: Moving, Dancing, Interaction : With an Introduction to New Dance

Example text

The dominating role of the Teacher was to be replaced by mutual reciprocity "the Dance is the Teacher". This way of teaching was and still is not usual within the dance world. If you are simultaneously teacher and student, there can be no social differences or hierarchy. Teaching therefore meant not a presentation of technique to be copied but an invitation to participate in an experiment. The main teaching method was "here is the problem, let's work on it. It is an experiment, we make joint discoveries, there are no rights or wrongs and there are no ultimate solutions.

3 Giving and Taking of Weight "In Contact Improvisation, the functional use of touching predominates. " 30 Cynthia J. Novack The point of contact is maintained through a continual giving of weight. The roles of giver and taker are continually switching. When we give weight, we are also, in some way, forced into surrendering control, letting go of the need to hold on but without collapsing. An frequently used image for this process is giving weight is like pouring fine sand into a bucket. The taking of weight means most of all, a solid support for your partner but without overtaxing yourself.

Release shows itself in the soft, flowing and economical movement of Contact. 4 Body-Mind Centering (BMC) "The interplay between our subconscious and consciousness is a continual exchange and always a two-way flow. Consciousness and the subconscious are a continuum of a mind. "20 Bonnie Bainbridge Cohen Body-Mind Centering (BMC) is a comprehensive movement re-education form developed through many years of research by Bonnie Bainbridge Cohen. She began to study the movement and learning processes of children and developed her work using anatomical, psychological, physiological and developmental principles.

Download PDF sample

Rated 4.11 of 5 – based on 49 votes