Download Creative Paint Workshop for Mixed-Media Artists: by Ann Baldwin PDF

By Ann Baldwin

Even if you've formal education in portray or no event in any respect, this new in paperback workshop-style e-book is the correct advisor for any artist attracted to integrating the medium of paint into different varieties of paintings akin to floor layout, combined media, college, altered paintings, or paintings journaling. Creative Paint Workshop for Mixed-Media Artists explores a wide selection of leading edge and experimental paint ideas which could upload beautiful visible effect and texture to many sorts of work.

—Develop your feel of composition and examine new methods to summary design.
—Experiment with texture results, college, inclusions, and encaustic.
—Learn the best way to use the newest new items to accomplish magical effects.
—See find out how to use electronic imagery, together with how one can do transfers with wax.
—Be encouraged through the paintings of a large choice of leading edge, mixed-media artists and experimental painters.

 

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Additional info for Creative Paint Workshop for Mixed-Media Artists: Experimental Techniques for Composition, Layering, Texture, Imagery, and Encaustic

Sample text

Another layer of Ouinacridone Crimson has been added to the left side. 5 The black stripes have been continued with paint farther down the painting. A glaze of Transparent Yellow Iron Oxide covers the entire canvas. Quinacridone Burnt Orange has been added to the Phaistos Disc to emphasize it. 5 em). mixed·media collage on board, 6 A new piece of collage- a geometric diagram of a sphere-helps to balance the composition by overlapping some of the other elements. Yellow Caran d'Ache wax-oil crayon has been used to highlight the spaces between the black stripes.

Acrylic, co ll age, ink on canvas. Circles #5, Ann Baldwin, 12" x 12" (305 x 305 em). acrylic, co llage, in k on canvas. In all of these pieces, shape is the dominant feature. Circles appear as outlines, solid, or overlapping. Some are perfect; others are distorted. Some have numbers inside them; others have words. Despite their simplicity, the variety of sizes and treatments makes the paintings interesting. A p PROAC H ES TO ABSTRACT DES I GN I 43 , . , --' ·1 •• • .. Windborne, An n Baldwin, 12" x 12 " (305 x 305 em), ink, digital photograph, acrylic on canvas.

Wh en Q layer of acrylic paint has just begun to dry, fay down some plastic cling wrap so that it forms creases. Leave in place until the paint is almost dry, and Lay pieces of cheesecloth and metallic ribbon onto a wash of acrylic ink. When almost dry {but not so dry that it sticks to the support}, peel off the cheesecloth. then peel off. The effect will be like crystals.

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