Download Dance Dramaturgy: Modes of Agency, Awareness and Engagement by Pil Hansen, Darcey Callison PDF

By Pil Hansen, Darcey Callison

Ten overseas dramaturg-scholars improve proposals that reset notions of employer in modern dance production. Dramaturgy turns into pushed by way of creative inquiry, disbursed between participating artists, embedded in improvisation projects, or weaved via viewers engagement, and the dramaturg turns into a facilitator of dramaturgical wisdom.

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Dance Dramaturgy: Modes of Agency, Awareness and Engagement

Ten foreign dramaturg-scholars enhance proposals that reset notions of supplier in modern dance production. Dramaturgy turns into pushed by way of creative inquiry, disbursed between participating artists, embedded in improvisation projects, or weaved via viewers engagement, and the dramaturg turns into a facilitator of dramaturgical understanding.

Extra info for Dance Dramaturgy: Modes of Agency, Awareness and Engagement

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Katalin Trencsényi and Bernadette Cochrane. London: Bloomsbury Methuen, 2014. 18–35. 26 Pil Hansen Forsythe, William, and Centre for Art and Media Karlsruhe. Improvisation Technologies: A Tool for the Analytical Dance Eye. Frankfurt: Self-produced Edition, 1995/Cantz Verlag Edition, 2000. Gilpin, Heidi. SEARCHING: Om Praksisbaseret Forskning I Scenekunst. Ed. Lisbeth Elkjær. Copenhagen: Nordscen, 2006. Goletti, Christina. ” Toronto: SDHS conference on Dance Dramaturgy, 25 June 2011. Paper presentation.

1 (February 1985): 75–78. Barton, Bruce. ” The Routledge Companion to Dramaturgy. Ed. Magda Romanska. Oxon: Routledge, 2015. 179–185. Barton, Bruce. 1 (2005): 103–19. Behrndt, Synne K. 2 (2010): 185–96. Bleeker, Maaike. 2 (2003): 163–72. Callison, Darcey. ” Toronto, 2014. Unpublished. Chambers A. Justine and Marie Claire Forté. 8 Days II: Project BK. Toronto: Public Recordings Performance Projects, 2014. Connolly, Mary Kate, ed. ” Throwing the Body into Flight: A Portrait of Raimund Hoghe. London: Intellect, 2013.

2014. Rancière, Jacques. 7 (2007): 271–80. ” Ed. Jeroen Peeters. Brussels: SARMA Laboratory for Criticism, Dramaturgy, Research and Creation, 2012. Web. 18 Oct. 2014. Introduction 27 Trencsényi, Katalin, and Bernadette Cochrane. ” New Dramaturgy: International Perspectives on Theory and Practice. London: Bloomsbury Methuen, 2014. xi–xx. Turner, Cathy, and Synne K. Behrndt. Dramaturgy and Performance. Basingstoke: Palgrave Macmillan, 2008. Williams, David. 2 (2010): 197–202. Zimmer, Jacob. ” Canadian Theatre Review: “Dance and Movement Dramaturgy” 155 (Summer 2013): 16–20.

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